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James Gillray, Billingsgate Eloquence, 1795 © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence
Orality, in various modes and practices, played an important part in the literary, philosophical and cultural outputs of this period, and complicates our understanding of eighteenth- and nineteenth-century print culture. Recent work has illuminated the richness of print’s relations with speech and voice, demonstrating how the very conceptualisation of orality was made possible through incipient awareness of emergent print culture, and showing that print objects were frequently consumed in oral modes, such as acts of communal performance or reading aloud.
This one-day conference gathers international scholars working on the intersections of print and orality in the period 1750-1870, to explore how print culture in Britain and beyond negotiated, harnessed, exploited, and regulated the powers of voice and their potentially wayward effects.
Contributions include papers and panels on:
- oral poetry and ballads;
- typographical representations of voice;
- muteness in fiction and print culture;
- rhetorical persuasion in the French Revolution
- American magazines in the early Republic;
- Working-class oracy and the struggle for the vote in Britain
The keynote address will be given by Professor Mary Fairclough (University of York) on 'Mary Wollstonecraft: Apostrophe, Prayer and Voice'.
Keynote Abstract:
Mary Wollstonecraft’s use of the rhetorical figure of apostrophe has attracted critical attention, in particular her deployment of apostrophe as part of the rhetorical armoury of A Vindication of the Rights of Men and A Vindication of the Rights of Woman. This paper takes a different approach to apostrophe in Wollstonecraft’s work, reading it as not just a persuasive tool, but rather as an indicator of Wollstonecraft’s sustained commitment to oral speech and its capacity to produce devotional feeling. I argue that moments of apostrophe in Wollstonecraft’s writings are often structured as prayerful direct addresses to God. I trace the connections between the prayers Wollstonecraft composed for her anthology for reading aloud The Female Reader (1789), and her later travel writing and fiction, making the case for the ongoing importance of vocal utterance and devotional appeal in Wollstonecraft’s works.
Conference Schedule
8.45-9.10am Arrival, tea and coffee available
9.10am Welcome
9.20-10.40am PANEL 1. Voice Politics
Chair: Andrea Haslanger (University of Sussex)
Carolyn Eastman (Virginia Commonwealth University): ‘Reading Loud in the Early American Republic’
Catherine Packham (University of Sussex): ‘Anna Letitia Barbauld and the Fate of Eloquence’
Tom Wright (University of Sussex): 'The Politics of Inarticulacy and Mid-Victorian Voting Reform'
10.40-11am Break
11-12.20pm PANEL 2. Orality and Poetry
Chair: Emma Newport (University of Sussex)
Richard Adelman (University of Sussex): ‘Racial Purity and Counter-Cultural Spirituality in Eighteenth-Century Oral Culture’
Ian Newman (University of Notre Dame): ‘Between Performance and Print: Lessons from the Ballad’
Katie Mennis (University of Cambridge): ‘Language that Wants the Living Voice: Latinity, Orality, and Early Romanticism’
12.20-1pm LUNCH
1-2.20pm PANEL 3. Voice and Voicing in the Romantic Era [zoom/hybrid]
Chair: Richard Adelman (University of Sussex)
Yasmin Solomonescu (University of Notre Dame): ‘Persuading without Convincing: Wollstonecraft and Rousseau’
Judith Thompson (Dalhousie University): ‘ “From the Silence of my Port-folio”: Revolutionary Regeneration in the work of John Thelwall’
Julia Carlson (University of Cincinnati): ‘Metrical Cadences + Rhythmical Clauses’
2.20-2.40pm Break
2.40-4pm PANEL 4. Print Culture, Fiction and Muteness
Chair: Tom Wright (University of Sussex)
Maisie Corkhill (University of Cambridge): ‘The Castle of Otranto (1764) and the Dramatic Grammar of the early Gothic text’
Caitlin Sturrock (University of Bristol): ‘The Muted Story-Tellers in D.A.F. de Sade’s Les Cent Vingt Journeés de Sodome (1795)’
Bethan Stevens (University of Sussex): ‘Muteness and Print Culture: Wilkie Collins’ Man and Wife (1869-70)’
4pm comfort break
4.15-5.15pm Keynote Speaker
Chair: Catherine Packham (University of Sussex)
Mary Fairclough (University of York): ‘Mary Wollstonecraft: Apostrophe, Prayer, and Voice’
5.15pm Conference close.
For further details of conference fees, and to register, go to the Sussex Online Shop.
**Please register by 5pm on Monday 8 September for catering purposes**
Please address any questions to conference organiser, Catherine Packham, c.m.packham@sussex.ac.uk